Features

Beth Dean: a dancer many steps ahead of her time

It may have been the oddest introduction of the royal tour of 1954. ”Your Majesty,” said the general manager of

Picasso’s ballet years, from Parade to 5th position

At 96, the photographer David Douglas Duncan can still remember the moment, more than 55 years ago, when he was

The precious gift of Tatiana

I recently interviewed dancers, past and present, who’ve danced the role of Tatiana in Onegin or who soon will. For

The Fonteyn Follies of ’62

With the men in miniscule swimming costumes, and the women dressed modestly in summer shirts and cotton trousers, Margot Fonteyn

Behind the velvet curtain: a true insight into a company at work

More than a decade ago, Christopher Millard, director of press and communications at the Royal Opera House, explained to me

Our black and deep desires: Macbeth re-visted

Earlier this month, for The Australian Financial Review, I interviewed Peter Evans, the director of a new production of Macbeth

Tanja Liedtke on film: a tribute to her brief but brilliant life

The appointment was for 10am, the place was the top floor of a hotel in Macquarie Street in Sydney’s CBD

Neumeier: the presiding spirit of Hamburg

THE remains of Vaslav Nijinsky lie within the Montmartre cemetery in Paris. But the essence of the great dancer continues

The May-December triumph of Daria and Vadim

At 38, Daria Klimentova, was ready to retire when she was called to Wayne Eagling’s office. The artistic director of

Twyla’s new take on the narrative ballet

Twyla Tharp is one of the great stayers of the dance world. Sometimes harshly criticised for her most recent work,