Reviews

Onegin: To every thing there is a season

The double asterisks on the nightly cast lists say it all. The symbol following a dancer’s name means “debut in

An infinite array of storms, swans and stars

In 1996, the last year of her artistic directorship of the Australian Ballet, Maina Gielgud programmed a triple bill of

Lights, camera, action: Bonachela orchestrates the pow! factor

It’s often the case that the whole is greater than the sum of its parts. In Sydney Dance Company’s new

The Icarus Boys

Men in Motion at Sadlers Wells promised so much more than it delivered. With a running time of about an

A summer’s dream in a Hamburg winter

More than three decades after its premiere, John Neumeier’s Midsummer Night’s Dream is still charming audiences, just as it did

Snowflakes and snowstorms: Behind the curtain at Pacific Northwest Ballet

When the author of Where Snowflakes Dance and Swear posted his book to me in Australia, he told me to

Signs of the times

In its home town, Sydney Dance Company is presenting Rafael Bonachela’s most engaging work since he became the company’s artistic

Clap your hands folks, here come the Russians

When Anna Pavlova visited Australia in 1929 (two years before she died), she began her tour in Townsville then travelled

Can We Talk About This?

Martin Amis was cool but his audience was livid. Speaking at London’s Institute of Contemporary Arts, in London, the writer

Pina’s curtain call

When we look back at the disasters of the 20th century, from the slaughter in wars, to the greed of