Reviews

NDT in Sydney: Sweet Dreams are Made of This

Nederlands Dans Theater’s season at the Sydney Opera House is united by the dreamlike quality of a quartet of pieces

The Bolshoi looks on the bright side of life

When Alexei Ratmansky first heard a recording of Shostakovich’s ballet score for The Bright Stream in 1995, he must have

Turbans and tutus: the Bolshoi brings Le Corsaire to Australia

Le Corsaire, as danced by the Bolshoi Ballet, is like a croquembouche. The caramel-wrapped cone of pastry balls sprinkled sugar

At the Vanguard: tough and tender was the night

Vanguard is a trio of sweets. The first and last are sharp and brittle, a wake-up for the palate. In

Everything old is new again as Li Cunxin launches his artistic directorship with Stevenson’s Cinderella

The Queensland Ballet’s new production of Cinderella begins and ends with two powerful images, the first representing oppression and grief,

Osipova and Vasiliev: A trip to the moon on gossamer wings

Natalia Osipova and Ivan Vasiliev don’t just dance Don Quixote at a level of perfection we seldom, if ever, see.

Rearranged by Forsythe and de-glamourised by Ek, Sylvie still shows that perfect line that comes from her ballet beginnings

In Sylvie Guillem’s production, 6000 Miles Away, William Forsythe’s abstract duet, Rearray, is the brain and Mats Ek’s melancholy solo,

The best came last in Sydney Dance Company’s new look of 2013

With De Novo, the umbrella title for Sydney Dance Company’s new triple bill, Rafael Bonachela has put together a program

If you see only one Giselle in your lifetime, make it the Paris Opera Ballet’s

Anton Dolin, a famous interpreter of Albrecht in Giselle, once said that the heroine of the ballet should not emerge

The metamorphosis of a dark tale of trespass

Those with long memories might recall the acrobatic pas de deux, much loved in the Soviet era, for the mythical