Tag Archives: Amber Scott

At last, David Hallberg steps out of the shadows and into the spotlight

David Hallberg, as Franz in Coppelia, Australian Ballet, photo © Kate Longley

The last supermoon of the year lit up the sky above the Sydney Opera House, the temperature hovered around 30

Coppelia: The win-win production imprinted in the Australian Ballet’s history

Ako Kondo, Chengwu Guo and artists of the Australian Ballet, photo © Daniel Boud

The collaboration of Peggy van Praagh, Kristian Fredrikson and George Ogilvie is one of the most successful in the Australian

Kevin Jackson seizes the day with his Sydney debut as Nijinsky

Kevin Jackson and Amber Scott, Nijinsky, Australian Ballet, photo © Wendell Teodorow

The opening night of Neumeier’s Nijinsky in Sydney was Remembrance Day, the 11th of November, a day that marks the

Murphy’s Swan Lake in London: The Verdict

Adam Bull and Amber Scott, Graeme Murphy's Swan Lake, Australian Ballet, photo © Jeff Busby

The Australian Ballet’s four-day season of Graeme Murphy’s Swan Lake at the Coliseum in London has ended with the city’s

A night of swoons, sighs and razmatazz: The Australian Ballet’s gala of 2016

Leanne Stojmanov and artists of the Australian Ballet, Symphony in C, photo © Daniel Boud

A spoonful of pas de deux by the late Agrippina Vaganova and the very present Christopher Wheeldon would be excellent

Stephen Baynes’ Swan Lake is back and better than ever

Brett Simon, centre, with artists of the Australian Ballet, Swan Lake, photo © Daniel Boud

The opening night cast of the Australian Ballet’s revival was superb. Amber Scott as Odette/Odile, Adam Bull as Prince Siegfried,

20:21: Shot out of the canon and onto the stage

In the Upper Room, the Australian Ballet, photo © Jeff Busby

The Australian Ballet’s triple bill begins and ends with jogging. The curtain opens to reveal a diagonal of dancers in

St Petersburg Blue and French White unite in Imperial Suite

Adam Bull and Lana Jones, Ballet Imperial, choreography by George Balanchine, © The George Balanchine Trust, the Australian Ballet, 2014

Ballet Imperial and Suite en blanc share much – their speed and exactitude, the technical challenges that allow no hiding

Memories of the year that was, hopes for the year to come

Isabella Boylston, Swan Lake, American Ballet Theatre, photo © Gene Schiavone

Looking backwards before glimpsing forward, the two highlights of the Australian dance year were the season of the Paris Opera

Hallberg and Scott bring Ratmansky’s Cinderella to new heights at the Sydney Opera House

David Hallberg dressed as Prince Charming in Ratmansky's Cinderella, Australian Ballet, photo © Wendell Teodoro

Prince Siegfried, Prince Desire, the Nutcracker Prince, Prince Charming and the Prince of the Pagodas. Princes strut through the palaces,