Backstage

Gallery / Backstage

Sarah Thompson, Annie Carroll, Giselle

New York City Ballet on stage company class 2008

Laurel Martyn in her dressing room, 1944

Australian Ballet prepares for Nutcracker

Jeremie Belingard and Delphine Moussin, photo by Robert Pearce

Adam Bull, The Australian Ballet, photo by Rebecca Hallas

Wendy Whelan, NYCB, Palais Garnier, Paris

New York City Ballet men at State Theatre, NYC

New York City Ballet women, State Theatre, NYC

Helene Kirsova at her dressing room table, 1936-37

Search Dancelines

New Writing

13 Oct : Step by step, Australian dance companies plan for the future
After months of cancelled performances the Sydney Dance Company will return to Carriageworks in Sydney for a season of New more...

6 Jul : The West Australian Ballet’s first steps back to the stage
The West Australian Ballet has announced it will return to the stage from 11-26 September at Her Majestyâ€™s Theatre, Perth. more...

2 Jul : Queensland Ballet’s reschedule
Queensland Ballet will reschedule its 2020 season to 2021. The company’s artistic director, Li Cunxin, said the companyâ€™s Crisis Management more...

27 Apr : George Ogilvie: How an Aussie boy with a Scottish name gave everything to be an actor, director, and finally a man seeking the truth
From co-directing the Mad Max film, â€œMad Max Beyond Thunderdome”, to his many years directing theatre companies and his time more...
Categories
- Features (153)
- Footnotes (138)
- News (199)
- Reviews (108)
- Uncategorized (2)
Recent Comments
- Kelly Linda on First Position: backstage at the world’s biggest ballet competition
- valerie on The keepers of the flame
- Matt Cope on The keepers of the flame
Archives
- October 2020 (1)
- July 2020 (2)
- April 2020 (2)
- March 2020 (5)
- February 2020 (1)
- December 2019 (1)
- November 2019 (1)
- October 2019 (2)
- September 2019 (2)
- July 2019 (2)
- May 2019 (1)
- February 2019 (2)
- January 2019 (4)
- November 2018 (1)
- September 2018 (4)
- August 2018 (2)
- June 2018 (1)
- May 2018 (1)
- March 2018 (2)
- February 2018 (1)
- January 2018 (3)
- December 2017 (1)
- November 2017 (2)
- October 2017 (1)
- September 2017 (4)
- August 2017 (3)
- July 2017 (2)
- June 2017 (1)
- May 2017 (3)
- April 2017 (2)
- March 2017 (3)
- February 2017 (2)
- January 2017 (4)
- December 2016 (6)
- November 2016 (3)
- October 2016 (4)
- September 2016 (5)
- August 2016 (4)
- July 2016 (4)
- June 2016 (5)
- May 2016 (4)
- April 2016 (3)
- March 2016 (5)
- February 2016 (4)
- January 2016 (4)
- December 2015 (6)
- November 2015 (7)
- October 2015 (4)
- September 2015 (7)
- August 2015 (4)
- July 2015 (4)
- June 2015 (4)
- May 2015 (5)
- April 2015 (4)
- March 2015 (6)
- February 2015 (5)
- January 2015 (4)
- December 2014 (5)
- November 2014 (5)
- October 2014 (8)
- September 2014 (8)
- August 2014 (8)
- July 2014 (5)
- June 2014 (6)
- May 2014 (7)
- April 2014 (7)
- March 2014 (7)
- February 2014 (7)
- January 2014 (9)
- December 2013 (7)
- November 2013 (5)
- October 2013 (8)
- September 2013 (10)
- August 2013 (12)
- July 2013 (6)
- June 2013 (6)
- May 2013 (8)
- April 2013 (9)
- March 2013 (9)
- February 2013 (7)
- January 2013 (10)
- December 2012 (9)
- November 2012 (8)
- October 2012 (11)
- September 2012 (10)
- August 2012 (12)
- July 2012 (8)
- June 2012 (13)
- May 2012 (9)
- April 2012 (8)
- March 2012 (8)
- February 2012 (9)
- January 2012 (11)
- December 2011 (10)
- November 2011 (10)
- October 2011 (11)
- September 2011 (11)
- August 2011 (12)
- July 2011 (11)
- June 2011 (12)
- May 2011 (10)
- April 2011 (16)
- March 2011 (12)
- February 2011 (8)
- January 2011 (2)

Gallery / Backstage

Search Dancelines

New Writing

Categories

Recent Comments

Archives