From her first entrance as a young woman in love, until her last steps towards her grave, Ako Kondo was
Could any creative team have as much fun as the men who sat down together to make the ballet Alice’s
The collaboration of Peggy van Praagh, Kristian Fredrikson and George Ogilvie is one of the most successful in the Australian
A spoonful of pas de deux by the late Agrippina Vaganova and the very present Christopher Wheeldon would be excellent
There’s nothing quite like the Diana and Actaeon* pas de deux to excite a ballet audience. The piece is a
Last September, the Melbourne premiere of the Australian Ballet’s new Sleeping Beauty represented the big picture, with a multitude of
The Australian Ballet’s triple bill begins and ends with jogging. The curtain opens to reveal a diagonal of dancers in
The Australian Ballet has a new principal dancer. Following her performance this evening (14 April) as Giselle, Ako Kondo was
Every ballerina lucky enough to dance Giselle portrays the role in her own particular way. Of course she’s directed and
After an 18-year career, the principal dancer, Madeleine Eastoe, 36, will retire from the Australian Ballet following her last performance