The Australian Ballet delivered a triple treat on the opening night of the company’s 2015 season. Madeleine Eastoe, Kevin Jackson
Ballet Imperial and Suite en blanc share much – their speed and exactitude, the technical challenges that allow no hiding
Tim Harbour has become the new resident choreographer at the Australian Ballet. A former senior artist with the company he
The Australian Ballet’s latest program is a study in contrasts: Romantic era French, versus Imperial Russian, a chandelier versus a
Almost a decade ago, David McAllister, artistic director of the Australian Ballet attended a conference in England where he, and
Natalia Osipova and Ivan Vasiliev don’t just dance Don Quixote at a level of perfection we seldom, if ever, see.
In 1996, the last year of her artistic directorship of the Australian Ballet, Maina Gielgud programmed a triple bill of