The American ballet critic, Arlene Croce, described Antony Tudor’s ballet, The Leaves are Fading, as “a wistful attempt at a
When Brigitte Lefèvre prepared for her retirement as director of the Paris Opera Ballet, she made it known that her
Branco Gaica’s photo of the men in Stephen Baynes’ ballet, 1914, is one of my favourite images on The Australian
Two years before the Japanese bombed the American fleet in Pearl Harbor in December 1941 President Franklin Roosevelt began to
Early next year, Ethan Stiefel, the artistic director of the Royal New Zealand Ballet, will take his company back to
In Alexei Ratmansky’s new Cinderella for the Australian Ballet, the heroine is taken to the ball by a rotation of