
Ballet Imperial and Suite en blanc share much – their speed and exactitude, the technical challenges that allow no hiding
Ballet Imperial and Suite en blanc share much – their speed and exactitude, the technical challenges that allow no hiding
Almost a decade ago, David McAllister, artistic director of the Australian Ballet attended a conference in England where he, and
The Australian Ballet’s 50th anniversary year came to a celebratory conclusion last evening with Stephen Baynes’s new Swan Lake, created
In 1996, the last year of her artistic directorship of the Australian Ballet, Maina Gielgud programmed a triple bill of