The American ballet critic, Arlene Croce, described Antony Tudor’s ballet, The Leaves are Fading, as “a wistful attempt at a
Branco Gaica’s photo of the men in Stephen Baynes’ ballet, 1914, is one of my favourite images on The Australian
I would, if I could, take a magic carpet ride to several continents and at least a dozen theatres to
Thanks to the Encyclopedia of New Zealand I discovered that a 19th-century promoter of Italian immigration pointed out that New
Aristotle thought that the essence of theatrical tragedy is the empathic response of the audience who can feel the agony
Before Alina Cojocaru left the Royal Ballet she told me she felt constrained at Covent Garden and found solace as
When Wayne Eagling was artistic director of English National Ballet he feared that the young dancer he mentored, Vadim Muntagirov,
Early next year, Ethan Stiefel, the artistic director of the Royal New Zealand Ballet, will take his company back to
The wow factor in the Queensland Ballet’s 2014 season, announced today, is Kenneth MacMillan’s Romeo & Juliet, featuring guest artists
With the Paris Opera Ballet in Sydney in January/February and the Bolshoi Ballet in Brisbane in May/June, 2013 is set